Ten Pond Poms is a superficial, sun-kissed burst of schmaltz – a review

Fuck if you do, fuck if you don’t, this is one way to describe the BBC’s approach to portraying British colonialism. Coincidentally, it could also be used for coverage of economic immigration by businesses.So on BBC One 10 lb pom, the confluence of these two interests is in a rather difficult position. “Let’s build a new life in sunny Australia!” shows a glamorous 1950s newspaper ad run by disgruntled Northern housewife Annie (Faye Marsey), who eventually finds herself even more racial than her beloved old man Brighty. You will embark on a journey to discover a land where discrimination is rampant.

A group of English dreamers board a steamer for a royal sum of £10 and start a new life on the Antipodes. Among them are Annie, her husband Terry (Warren Brown), her two children, and the enigmatic Kate (Michelle Brown), who has abandoned her fiancé at the harbor and is traveling alone. Keegan) is also included. Terry called the opportunity a “fresh start” after suffering post-war PTSD, alcoholism and financial hardship. But as soon as they arrived in Oz, their vision of an exotic new life was shattered. “It’s like a prisoner of war camp,” Terry said of the primitive camp where the new arrivals were held. From this small civilization, the Poms encounter love and loss, tragedy and farce. All contain wholesome melodrama.

Marsay has long been overshadowed by TV supporting roles, like her blue eyes on the spectrum.from game of thrones To Andor, seaweed To fresh meat, she has a bit of an eerie severity. But her usual forbidden presence is subverted here in the form of down-to-earth, no-nonsense Annie, the warm heart of the show. Meanwhile, Brown continues to dance on British TV screens as the muscular, unpredictable Terry (“He’s a very nice guy, even though he’s plain,” says Annie, “but he’s drunk…”). But in fact, much like Brocklehurst’s previous shows,brass, 10 lb pom Owned by Michelle Keegan. Clearly, her sexy and secretive Kate has all the tension if she can afford 21st century dentistry. 10 lb pom Otherwise it is sorely lacking.

10 lb pom The work is essentially a story about people immigrating in search of a better life, with the British appearing this time as an aspirant class. This may have been an interesting attempt at reconstructing the perspective in which the immigration debate is held, save for the fact that white Australia represents such a pantomime of regression. Off the boat, Stockport residents encounter a “whites-only” immigration system, double-tiered shopping lines, racial slurs, and a divided work environment. Naturally, the British were appalled. “They are just people,” says Annie of the Aboriginal Australian victims. “And they were here long before you came.”

As the story progresses, a handful of Aboriginal characters are given more autonomy, and they use gnome-yet-insane tactics such as “go shooting in the dark and someone might shoot back at once”. whisper that But the show never quite manages to resolve the complex possibilities of its setting. After all, Australia is a former British colony, and Anzac’s participation in World War II presupposes that fact. With that syrupy sensibility. The reunion of a lost child with a mother, a hit-and-run incident in the outback, and a teenage campmate’s first love — all of this drama’s story feels more like a soap opera than a prestige drama.

That’s not bad at all. Brocklehurst has produced a number of compelling British shows. shameless To people who do not know, and 10 lb pom is no exception. “Come to the Sunny!” promotes an Australian Immigration Service ad that accompanies the opening credits, which the show incorporates. Frivolous, superficial, and a missed opportunity to question contemporary immigration issues. 10 lb pom After all, it seems to pop Schmaltz in the sunlight.